Cotton canvas, painted birch wood, plant-based inks and felt-tip pen
Colours: multicolours, black
Box: black and white
49 x 26 cm / 19.3″ x 10.2″
Box: L 29.5 x W 4.5 x H 3 cm / L 11.6″ x W 1.8 x H 1.2″
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‘‘Process’’ and ‘‘protocol’’: two terms that are omnipresent in contemporary art discourse. These reveal a certain unease with works that are increasingly opposed to the tyranny of the object. However, the work of Santiago Reyes is more commonly referred to as ‘‘partition’’, what the dictionary describes as ‘‘the act of sharing what forms a whole or an ensemble’’. But of this whole, of this ensemble, it is also a question of sharing imbalances, inconsistencies and even absurdities. The tyranny of the object will neither be spoken of because the artist’s factual objects are in separable from this whole: they are neither a trace nor a residue, still less a compromise, they are a print similar to the one that can be seen on the moon: a paradoxical print, which awakens as much the desire for conquest as the desire for the other.
His work has been presented in various festivals or group and solo exhibitions over the past 20 years, most recently he has participated in the Cuenca Biennial in Ecuador where he won the Jury Prize, in the exhibition The Exhausted Land at Klosterfelde Editions in Berlin and in Lignes de vie – an exhibition of legends at the Mac Val where he presented the work of his alter-ego Sandro. Santiago Reyes was born in Ecuador in 1971.
@resantiagoyes
Architect or Interior Designer?
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Flint Terracotta
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Linterno Fabric : St Moritz/Nobili
- White Glove Delivery
- Front Door Delivery
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